Sep 2017 |

El Arte Público | GUISEPPINA FACCIPONTE

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Italiano

 

Si se pregunta qué es el arte público a un interlocutor genérico, la respuesta que probablemente se obtendrá será «una estatua ecuestre u otro tipo de monumento colocado en un plaza o en otro espacio público».

Sep 2017 |

Challenging the flatness of the image | ALEJANDRO ESCOBAR

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Drawing and painting have always been very important tools for me, creating images allows me to reflect on my ideas and also to share them with others.

Creating images by directly looking at nature is quite exciting but it is also an impractical process as it tends to require lots of time and a still model or landscape. Early in my career, I decided to embrace digital photography as the starting point to create my compositions; I saw them as guides that I could use to translate my thoughts onto the canvas.

 

Sep 2017 |

Rana Begum: Space Light Colour | MONSERRAT PIS MARCOS

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The Sainsbury Centre for Visual Arts has recently opened an individual exhibition on Rana Begum (b. 1977), a contemporary artist with a growing international reputation. Spanning the last decade of her production and featuring over 25 works, this is her first solo show in a museum.

Jun 2017 |

BLITZ | Interview with Alexandra Pace

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Truth||Lies exhibition, photo by Alexandra Pace

 

Herman Bashiron Mendolicchio: Can you please tell me about the history of Blitz, the history and description of the space, your personal involvement and role, and explain the context where is located?

Jun 2017 |

Art in Public Space. A case study of FRAGMENTA Malta told in its own words | BETTINA HUTSCHEK

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(page from leaflet by Sonya Schönberger, distributed during Fragmenta event FIELD TRIP, January 2017)

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The loudspeaker system of the ferry terminal announces in a solemn female voice: “There is nothing that man fears more than the touch of the unknown”.

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