In 2002, the art historian and theorist Hal Foster observed in his book Design and Crime, that the main purpose of the museum in the postmodern age is no longer the contemplation of the exhibits[1]. The exhibits exist also in the form of electronic archives and can be consulted anywhere, normally without even paying.
Tell them in Lacedaimon, passer-by
that here, obedient to their word, we lie.
Simonides of Ceos
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three,
To make a new Thermopylae!
Lord Byron, The Isles of Greece
When the gods have been expelled from the cosmos, the world they have left becomes boring.
“I had a monumental idea this morning, but I didn't like it.”
--Samuel Goldwyn, notorious old-Hollywood film producer
Mérida, Yucatán, México.
This interview explores the role of semiotics in studying valorisation and interpretation processes in contemporary art. The aim is to demonstrate the need for both professionals and the general public to use semiotic concepts and to be acquainted with them while engaging with contemporary art.
El término subversión deriva del latín subvertor y significa trastocar, dar la vuelta, alterar el orden establecido, bien sea de índole política, social o moral.
Mink festival
A zoo of the pandemic
OPEN CALL
En este momento, mientras estoy escribiendo, estoy produciendo datos.
Cuando leas este artículo, estarás produciendo datos.
Inevitablemente, inconscientemente e irremediablemente, somos todos consumidores y productores de datos, tanto visibles como invisibles, técnicamente llamados metadatos.
