El juego de Cláudio Trindade, un artista maduro, es un juego limpio, pero siempre tenso y desconcertante.
Me gustaría reflexionar sobre eso, aunque brevemente. Las imágenes contundentes hablan por si mismas...
Voy a proponer una pequeña ficción...
Cláudio Trindade. Que tiro foi esse? 2020
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HUB SARDINIA
“Caminu a Su Connottu”
DEADLINE: 15th of June
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SFP2 Short Film Production Grant awardee Julian Alexander on the set of Layla, at Last, 2019. Image courtesy of Julian Alexander
Sharjah Art Foundation Invites Filmmakers from Around the World to Apply for the
2021 SFP Short Film Production Grant
During the protests following the May 2020 killing of George Floyd, various monuments were removed or plans for removal were announced. Removals focused on monuments to the leaders and the military of the Confederate States of America, an unrecognised republic formed by secession of seven slave-holding states existing from 1861 to 1865. In some cases, monuments were removed by the city in an official manner, as the Confederate War Memorial in Dallas, Texas (fig. 1). In some others, monuments were toppled by protesters, as the Statue of Albert Pike in Washington D.C (fig. 2).
For human perception, it seems that the phenomenon of pregnancy is the most compelling externalization of inner mystery. It is the definition of visual proof of something invisible. To put it in the, heuristically very helpful, Peircean terms, the very evidence of ‘reproduction in spe’ is our most exemplary experience of the tight cognitive -and necessarily temporal- relationship between icon and index.
The Board of Commissioners of the National Historical Commission of the Philippines (NHCP) has recently released its official position on the site of the 1521 Easter Sunday mass. The agency adopted the final report submitted by the Mojares Panel, a group of Filipino scholars reviewing and setting forth the conclusion of the Butuan-Limasawa controversy on the location of the 1521 first Easter Sunday mass in the Philippines.
