The project Tierra brings together three artists, recent stories from two specific territories, and the echo of a universal scream.
This last one is the too often unheard scream of the planet earth, who is claiming its fragility, who is revealing its limits and boundaries and who is facing the betrayal of one of its oldest inhabitants: the human being.
Participants at the Apaziá residence, from left to right: Andrea Sahyoun, Bruna Costa, Rose Afefé, Dan Odan, Paula Borghi, Júlia Drandão, Júlia Anadam, Rafa Black, Maria Régis, Cazul, Daniela Komives, Ricardo Campos, Thiene Garrido e Francisco Briza.
El juego de Cláudio Trindade, un artista maduro, es un juego limpio, pero siempre tenso y desconcertante.
Me gustaría reflexionar sobre eso, aunque brevemente. Las imágenes contundentes hablan por si mismas...
Voy a proponer una pequeña ficción...
Cláudio Trindade. Que tiro foi esse? 2020
CALL FOR PARTICIPATION
HUB SARDINIA
“Caminu a Su Connottu”
DEADLINE: 15th of June
ROLLING ADMISSION
SFP2 Short Film Production Grant awardee Julian Alexander on the set of Layla, at Last, 2019. Image courtesy of Julian Alexander
Sharjah Art Foundation Invites Filmmakers from Around the World to Apply for the
2021 SFP Short Film Production Grant
During the protests following the May 2020 killing of George Floyd, various monuments were removed or plans for removal were announced. Removals focused on monuments to the leaders and the military of the Confederate States of America, an unrecognised republic formed by secession of seven slave-holding states existing from 1861 to 1865. In some cases, monuments were removed by the city in an official manner, as the Confederate War Memorial in Dallas, Texas (fig. 1). In some others, monuments were toppled by protesters, as the Statue of Albert Pike in Washington D.C (fig. 2).
