Oct 2016 |

Pílulas de ASP | FERNANDA DO CANTO, LUIZA POLITI BELLUOMINI, RAISA RAMONI ROSA E ROGÉRIO SATIL

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Pílulas de ASP” tem a intenção de mostrar em pequenas doses um dia de convívio com o artista Carlos ASP. É uma imersão no mundo Aspiano, um momento em que o artista nos leva ao seu passado [re]construindo suas memórias.

ASP RETRATO 1

Oct 2016 |

Entrevistas da Oficina de Curadoria (DAC-UFSC): Apresentação | KAMILLA NUNES

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Igrejinha e Teatro Sede do DAC, DVS Jul 2010 B 141Departamento Artístico Cultural da Universidade Federal de Santa Catarina

Oct 2016 |

Espacios híbridos y reescrituras urbanas El caso del MAAM - Museo dell’Altro e dell’Altrove di Metropoliz_città meticcia | CRISTINA GRECO, ELIA CORNELIO-MARÍ

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Oct 2016 |

Spazi ibridi e riscritture urbane. Il caso MAAM - Museo dell’Altro e dell’Altrove di Metropoliz_città meticcia | CRISTINA GRECO, ELIA CORNELIO-MARÍ

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  1. Introduzione[1]
Oct 2016 |

Interartive #87 :: Special Issue: Street Art and Its Languages

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Cover Image: D. Desai and P. Dasgupta

Editorial

Street Art and its languages |  MODESTA DI PAOLA and MARCO MONDINO (Italian, Spanish, English)

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Oct 2016 |

Editorial Street Art and its languages | MODESTA DI PAOLA and MARCO MONDINO

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Street Art is one of the artistic languages today increasingly present in the media and cultural debate. Born as an expression of a spontaneous intervention, Street Art has imposed itself as an artistic practice that takes a lot of forms, shapes, techniques and strategies of action, giving life to unique models of interaction with the public itself.

Oct 2016 |

When Street Art is Politics: The Case of the Italian Blu | MARIA DOMENICA ARCURI

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When we talk about the phenomenon of street art we have to consider both its features and the urban space with which it interacts.

Oct 2016 |

STATE-SANCTIONED ICONOCLASM: A question and an answer concerning the damnatio memoriae of a radical gesture | LIA YOKA and ORESTIS PANGALOS

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In this town, nobody seems to be afraid of graffiti. Many would call it “creative intervention” and might even see it as anticipating the true Commons, a space that transcends fake public/private divides. They count “street art” among the few remaining authentic forms of expression today.

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