Jun 2017 |
The Development of Contemporary Art in Malta: An Overview | KATYA MICALLEF
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Jun 2017 |
BLITZ | Interview with Alexandra Pace
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Truth||Lies exhibition, photo by Alexandra Pace
Herman Bashiron Mendolicchio: Can you please tell me about the history of Blitz, the history and description of the space, your personal involvement and role, and explain the context where is located?
Jun 2017 |
Art in Public Space. A case study of FRAGMENTA Malta told in its own words | BETTINA HUTSCHEK
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(page from leaflet by Sonya Schönberger, distributed during Fragmenta event FIELD TRIP, January 2017)
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The loudspeaker system of the ferry terminal announces in a solemn female voice: “There is nothing that man fears more than the touch of the unknown”.
Jun 2017 |
At the crossroads of cultures and people. The Valletta 2018 Artist in Residence programme | ANN LAENEN
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“Chance is always welcome in the work I aspire to do, I enjoy random encounters, and I had plenty in Gozo and I was lucky to include some into the work. The people and their outlook and enthusiasm to life and the other has dramatically and positively contributed in the development of the work over the 6 weeks I spent between September and November 2016. I look forward to launching the exhibition in the government of Gozo April 8th 2017 and to see the mothers again after a while!”
Jun 2017 |
Past perfect? | VERONICA STIVALA
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EKHO, School of Performing Arts, University of Malta 2017. Photo by Rafael Mielczarek
May 2017 |
We are here. Interview with Gandolfo Gabriele David | MODESTA DI PAOLA
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Gandolfo Gabriele David’s work reveals the ontological necessity to establish an ethical and political dimension of hospitality between cultures and societies in contemporary artistic production. This ontological necessity has led his interests to reflect on hospitality as the modernist idea that encourages all human beings - regardless of their political affiliation - to be (or attempt to be) citizens in a single community, taking into consideration topics such as immigration, diaspora, and negotiation of identities, David increases the importance of the analysis on the problem of t
May 2017 |
Nuevos tiempos para la fotografía documental | MARISA GÓMEZ
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Durante los próximos meses, la ciudad de Barcelona se convertirá en una suerte de epicentro del panorama fotográfico internacional actual. World Press Photo acaba de abrir sus puertas en el CCCB, mientras que FotoPres lo ha hecho en CaixaForum y la exposición Disorder, del Premio Global de Fotografía y Sostenibilidad Prix Pictet podrá verse en el Palau Robert hasta el 28 de mayo.
May 2017 |
¿Cómo ha cambiado el Arte Digital los espacios expositivos? | MERVE KARAOĞLU CAN
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La rápida e inevitable entrada de las nuevas tecnologías, especialmente los ordenadores, en todas las áreas de la vida de los individuos durante el siglo XX ha provocado cambios en las estructuras sociales. En particular, ha tenido lugar una diferenciación de la percepción de los individuos con respecto al entorno a través de los instrumentos de comunicación, que pueden obternerse de forma económica y sencilla hoy en día. Srenay Sahin explica este cambio provocado por el desarrollo tecnológico en los sentidos de las personas citando a Marshall McLuhan:
May 2017 |
De los infinitos de Arthur Omar a lo sinfín de Val del Omar | LELA MARTORANO
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Imprescindible en la historia del cine, de la fotografía y de las artes visuales en Brasil, Arthur Omar es un artista autentico y multifacético. Su inquietud ante el arte y los medios técnicos lo llevo a hacer aportaciones sustanciales, desarrollando nuevos modos de pensar y producir cine y fotografía ya a partir de los años 70.
May 2017 |
Interartive #92
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Interview: We are here. Interview with Gandolfo Gabriele David | MODESTA DI PAOLA (english) Texts: ¿Cómo ha cambiado el Arte Digital los espacios expositivos?
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