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Jun 2017 |

Home is Where Mom is | DEEMA SHAHIN

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Home is Where Mom is
Gozo 2016

Through an open call for artists to submit their ideas on Global Grand Central in partnership with Roberto Cimetta Fund and many other European artistic and cultural institutions namely Valletta 2018 Foundation, which was interested in community engaged arts and under which my idea “Home is Where Mom is” falls, I applied and the journey of exploring the second Maltese Island: Gozo; started in September 2016.

Jun 2017 |

BLITZ | Interview with Alexandra Pace

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Truth||Lies exhibition, photo by Alexandra Pace

 

Herman Bashiron Mendolicchio: Can you please tell me about the history of Blitz, the history and description of the space, your personal involvement and role, and explain the context where is located?

Jun 2017 |

Art in Public Space. A case study of FRAGMENTA Malta told in its own words | BETTINA HUTSCHEK

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(page from leaflet by Sonya Schönberger, distributed during Fragmenta event FIELD TRIP, January 2017)

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The loudspeaker system of the ferry terminal announces in a solemn female voice: “There is nothing that man fears more than the touch of the unknown”.

Jun 2017 |

At the crossroads of cultures and people. The Valletta 2018 Artist in Residence programme | ANN LAENEN

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“Chance is always welcome in the work I aspire to do, I enjoy random encounters, and I had plenty in Gozo and I was lucky to include some into the work. The people and their outlook and enthusiasm to life and the other has dramatically and positively contributed in the development of the work over the 6 weeks I spent between September and November 2016. I look forward to launching the exhibition in the government of Gozo April 8th 2017 and to see the mothers again after a while!

 

Jun 2017 |

Past perfect? | VERONICA STIVALA

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EKHO, School of Performing Arts, University of Malta 2017. Photo by Rafael Mielczarek

 

May 2017 |

We are here. Interview with Gandolfo Gabriele David | MODESTA DI PAOLA

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Gandolfo Gabriele David’s work reveals the ontological necessity to establish an ethical and political dimension of hospitality between cultures and societies in contemporary artistic production. This ontological necessity has led his interests to reflect on hospitality as the modernist idea that encourages all human beings - regardless of their political affiliation - to be (or attempt to be) citizens in a single community, taking into consideration topics such as immigration, diaspora, and negotiation of identities, David increases the importance of the analysis on the problem of t

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