Visual culture
Jan 2014 |
Revolution as Aesthetics [PART I] | AHMAD HOSNI
Body:
.
Abstract
Jan 2014 |
“The wilderness in the machine”: Glitch and the poetics of error | CHRISTINA GRAMMATIKOPOULOU
Image:
Body:
Grand Wizard Theodore Scratching
Bodies and machines are defined by function: as long as they operate correctly, they remain imperceptible; they become a part of the process of perception, as the extension of the action that engages the Self with the world.[1]
Jan 2014 |
Proyecto LiscaBianca. En conversación con Maurilio Catalano y Elio Lo Cascio | MODESTA DI PAOLA
Body:
italiano
“(...) mientras tanto, aquí, el mar ha encontrado por sí mismo otro dominio donde las formas, el espacio, la memoria, el orden de las cosas y los acontecimientos aparecen transfigurados, puestos en el cielo, sustraídos a las amenazas e incluso a la banalidad de la vida cotidiana, y de esta manera situados de nuevo en el mundo de la percepción como espejismos”. Fulvio Abbate 1994.
Jan 2014 |
Progetto LiscaBianca. In conversazione con Maurilio Catalano e Elio Lo Cascio | MODESTA DI PAOLA
Body:
español
“(...) ma intanto, qui, il mare ha già ritrovato per sé un altro dominio dove le forme, le figure, lo spazio, la memoria, l'ordine stesso delle cose e degli eventi appaiono trasfigurati, assunti in cielo, sottratti alle minacce e perfino all'ovvietà del quotidiano, e in questo modo rimessi al mondo della percezione come miraggi”. Fulvio Abbate 1994.
Jan 2014 |
Metacognitive Artefacts | MICHAEL HAMPTON
Image:
Body:
Christina Mitrentse, Wounded Books. Galerie Nadine Feront, Brussels
Dec 2013 |
Christina Mitrentse’s Wounded Books Series as a Metaphor for (Re-)Incarnation | ANNA MC NAY
Image:
Body:
Christina Mitrentse (born 1977, Greece) began her Wounded Book series as a response to her contribution to the Inventory of Al-Mutanabbi Street project, organised by Beau Beausoleil in 2010, to reflect on the damage to humanity and the loss of material knowledge caused by the car bombing in Baghdad’s booksellers’ street on 5 March 2007. Being an artist who works in series, unsurprisingly this one has continued to grow, and it has since been added to Mitrentse’s own ongoing project initiative, Add To My Library, vol. III.
Pages
