English

May 2016 |

Monica Siedler and dance spectrality in "The Worst of Me"| JOSIMAR FERREIRA

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português

"The image withdraws as ghost or as a ghost of the Idea, destined to disappear in the very ideal presence. It withdraws so as image ‘of'’, as image of something or someone who would not, she or he, be an image. It fades itself as simulacrum or as a face of a being [...] What remains withdrawing from in the image, or what is left in it is withdrawn, with this very withdrawn, it is, indeed, the trace. "

May 2016 |

Infrastructures of the Digital: Critical Approaches from Art Practice (Part I) | MARISA GÓMEZ

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May 2016 |

"The rebel woman": Τhe early years of Greek Feminism | CHRISTINA GRAMMATIKOPOULOU

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ελληνικά

"She was no longer the calm maid, sweet in nature, with a somehow absent minded expression. She was the rebel woman, the one who would not cede to others the right to define her future and life according to social requirements and traditions and superstitions that had become laws"
Kalliroe Parren, The Emancipated Woman, 1900[1]

Feb 2016 |

(My) Neighborhood: An urban interventionist practice | TUBA DOGU & MELIS VARKAL DELIGOZ

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1UrbanTank Intervention: “(My) Neighborhood
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Feb 2016 |

Theatre minus representation: Breath, body and emotion in Antonin Artaud | CHRISTINA GRAMMATIKOPOULOU

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004-antonin-artaud-theredlist Antonin Artaud in La Passion de Jeanne d'Arc directed by Carl Theodor Dreyer, 1927
Nov 2015 |

ANT'S WAY: Interview with Elvin Flamingo | CHRISTINA GRAMMATIKOPOULOU

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elvin-flamingo-3Elvin Flamingo, ANT'S WAY. Kunsthal Aarhus. Image provided by the artist.

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