performance

Oct 2016 |

Recorridos y preguntas para “Narrativas en dos cuerpos” | IDA MARA FREIRE e RAQUEL PURPER

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português

Reflexiones sobre la Acción 1: Narrativas en dos cuerpos del proyecto Cuerpo, tiempo y movimiento en seis acciones de danzaconcebido por Sandra Meyer, Milene Duenha, Paloma Bianchi y Diana Gilardenghi.

Oct 2016 |

Cuerpo, tiempo y movimiento: Entrevista con Diana Gilardenghi, Sandra Meyer, Paloma Bianchi y Milene Duenha|KAMILLA NUNES y LUCILA VILELA

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Oct 2016 |

Percursos e perguntas para narrativas em dois corpos |IDA MARA FREIRE e RAQUEL PURPER

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español

Reflexões sobre a Ação 1: Narrativas em dois corpos o projeto, do projeto Corpo, tempo e movimento em seis ações de dança, concebido por Sandra Meyer, Milene Duenha, Paloma Bianchi e Diana Gilardenghi.

Oct 2016 |

Corpo, tempo e movimento: Entrevista com Diana Gilardenghi, Sandra Meyer, Paloma Bianchi e Milene Duenha|KAMILLA NUNES e LUCILA VILELA

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Jun 2016 |

ORLAN // Narrating Ideas for the Future of “Self” | JAYNE BUTLER

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Orlan_par_Fabrice_Lévêque_1997-2 Portrait of the French artist and performer Orlan, taken by photographer Fabrice Lévêque in 1997.

 

ORLAN // FEMINIST THEORY by ABSTRACT MEANS

May 2016 |

Monica Siedler and dance spectrality in "The Worst of Me"| JOSIMAR FERREIRA

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português

"The image withdraws as ghost or as a ghost of the Idea, destined to disappear in the very ideal presence. It withdraws so as image ‘of'’, as image of something or someone who would not, she or he, be an image. It fades itself as simulacrum or as a face of a being [...] What remains withdrawing from in the image, or what is left in it is withdrawn, with this very withdrawn, it is, indeed, the trace. "

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