Visual Arts

Sep 2014 |

Modelos colaborativos y Saberes compartidos. Redes, Creatividad e Interculturalidad | HERMAN BASHIRON MENDOLICCHIO

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El creciente interés en los modelos colaborativos, las prácticas participativas y los aspectos sociológicos de las Redes, se vincula y forma parte de un más amplio proceso global de transformación cultural, social y económica.

Mar 2014 |

¡A Perder el Norte! | ANDREA DÍAZ MATTEI

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UNA BRÚJULA

Todas las cosas son palabras del

Idioma en que Alguien o Algo, noche y día, 

Escribe esa infinita algarabía

Que es la historia del mundo. En su tropel

Jan 2014 |

Il patto dell’oblio | LUCA CINQUEMANI

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Il progetto del collettivo Fare Ala, presentato lo scorso 25 gennaio a Bologna in occasione di Arte Fiera nell’ambito della mostra collettiva dal titolo Il pensiero sotterraneo/Thinking Underground presso lo spazio Senza Filtro, indaga la delicata questione della rappresentazione cinematografica degli eventi più traumatici che hanno scandito gli anni di piombo in Italia.

Jan 2014 |

“The wilderness in the machine”: Glitch and the poetics of error | CHRISTINA GRAMMATIKOPOULOU

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Grand Wizard Theodore Scratching

Bodies and machines are defined by function: as long as they operate correctly, they remain imperceptible; they become a part of the process of perception, as the extension of the action that engages the Self with the world.[1]

Dec 2013 |

Christina Mitrentse’s Wounded Books Series as a Metaphor for (Re-)Incarnation | ANNA MC NAY

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Christina Mitrentse (born 1977, Greece) began her Wounded Book series as a response to her contribution to the Inventory of Al-Mutanabbi Street project, organised by Beau Beausoleil in 2010, to reflect on the damage to humanity and the loss of material knowledge caused by the car bombing in Baghdad’s booksellers’ street on 5 March 2007. Being an artist who works in series, unsurprisingly this one has continued to grow, and it has since been added to Mitrentse’s own ongoing project initiative, Add To My Library, vol. III.

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