Oct 2016 |

STATE-SANCTIONED ICONOCLASM: A question and an answer concerning the damnatio memoriae of a radical gesture | LIA YOKA and ORESTIS PANGALOS


In this town, nobody seems to be afraid of graffiti. Many would call it “creative intervention” and might even see it as anticipating the true Commons, a space that transcends fake public/private divides. They count “street art” among the few remaining authentic forms of expression today.

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