In this town, nobody seems to be afraid of graffiti. Many would call it “creative intervention” and might even see it as anticipating the true Commons, a space that transcends fake public/private divides. They count “street art” among the few remaining authentic forms of expression today.
"She was no longer the calm maid, sweet in nature, with a somehow absent minded expression. She was the rebel woman, the one who would not cede to others the right to define her future and life according to social requirements and traditions and superstitions that had become laws"
Kalliroe Parren, The Emancipated Woman, 1900[1]