Languages/ Translations

Interview with Anna Lascari: Athens Report, An interactive documentary and installation project | CHRISTINA GRAMMATIKOPOULOU

ελληνικά "Athens Report is an interactive documentary and installation project that collects and archives interviews, reports, photographs and graffiti of life and protest in Athens during the greek debt crisis." ...

Athens Report: Documenting the debt crisis in the era of post-truth | CHRISTINA GRAMMATIKOPOULOU

ελληνικά athensreport.org Marching through the Urban and Digital space When I learned about Anna Lascari's Athens Report, a few months ago, I took a look into the digital platform and came across well known images. I had witnessed the ...

January 2017 | English

Shifts in perspective: The Impact of Virtual Reality Art on the Human Brain | CAITLIN BURKE

  Many different influencers have been attributed over time as prompts for mental transformations. Religion, hallucinogens, and even exercise are frequently cited as causes for shifts in perspective. But while these influencers are enormously ...

Nueva Cultura Audiovisual y nuevos espectadores en la sociedad digital: transformaciones de un proceso integral de comunicación | JOSÉ ALBERTO ABRIL VALDEZ

Ilustración: Manuel Meza Victorio El audiovisual ha sido a lo largo de su historia (desde el surgimiento del cinematógrafo hasta las nuevas formas digitales de procesamiento de imagen) un componente esencial del desarrollo individual y social, ...

January 2017 | English, Street Art

The Classroom Collides With the Streets: My Night as a Renegade Street Artist | LIZY DASTIN

Aside from a brief stint liberating Hello Kitty pencils from their owners in elementary school, I have always been a consummate rule follower. In fact, being an Art History professor for the last decade, I’m actually one level lamer and ...

January 2017 | English, Street Art

Street Art and Urban Spaces: A catalyst for community engagement? | ZIANA SAJID and NADIA BERTOLINO 

Architecture is often known to be the art and science of designing a space. It is often perceived from a very technical aspect that deals merely with the field of construction and building. With the rapid advancements in the present day world, the ...

January 2017 | Español, Media Art, Technology

Reporte de Investigación: Vértigo es Motor | FELIPE CORTÉS y MARÍA FRANCISCA MONTES

Una de las preguntas de investigación al interior de este proyecto es: ¿qué tipo de conocimiento emerge al instalar -como motor principal- la noción de vértigo al interior de un proceso de creación audiovisual? La búsqueda de respuestas a ...

Συνέντευξη με την Άννα Λάσκαρη: Athens Report, ένα διαδραστικό ντοκιμαντέρ και καλλιτεχνικό έργο | ΧΡΙΣΤΙΝΑ ΓΡΑΜΜΑΤΙΚΟΠΟΥΛΟΥ

english "Το Athens Report είναι ένα διαδραστικό ντοκιμαντέρ και καλλιτεχνικό πρότζεκτ εγκατάστασης που συλλέγει και αρχειοθετεί ...

Malta: Culture in Transformation | Call for texts and art projects | INTERARTIVE

. Malta: Culture in Transformation. Projects and processes of a contemporary cultural development Deadline: April 30th, 2017. Aaron Bezzina, Memento Mori, 2016. Photo by Bettina Hutschek. In the history of every single region, country or city ...

October 2016 | Español, Interviews

Entrevistas del Taller de Curadoría (DAC-UFSC): Presentación | KAMILLA NUNES

português Departamento Artístico-Cultural de la Universidad Federal de Santa Catarina Las entrevistas presentadas en esta edición de la Revista Digital Interartive fueron realizadas durante el Taller de Curadoría, impartido por la curadora ...

October 2016 | English, Technology

Otherness in the world experience: a brief essay on augmented reality | ILDO FRANCISCO GOLFETTO and MARIA JOSÉ BALDESSAR

português Augmented reality (AR) has its origin in the virtual reality (VR), in an attempt to simulate reality and create other realities through the illusion of the senses. According to Braga [1] the AR is a hybrid interface composed by real ...

October 2016 | Dance, Español, Performance

Recorridos y preguntas para “Narrativas en dos cuerpos” | IDA MARA FREIRE e RAQUEL PURPER

português Reflexiones sobre la Acción 1: Narrativas en dos cuerpos del proyecto Cuerpo, tiempo y movimiento en seis acciones de danza, concebido por Sandra Meyer, Milene Duenha, Paloma Bianchi y Diana Gilardenghi. Diana Gilardenghi y Sandra ...

October 2016 | Cinema, Español

La libertad en Buey Neón | LUCILA VILELA

português   Buey Neón parece transpirar en la pantalla. La película dirigida por Gabriel Mascaro exhala la proximidad entre cuerpo y animal. La convivencia con bueyes y caballos hace que los personajes estén siempre al acecho, lidiando ...

October 2016 | Contemporary Art, English

Two Bodies | ROBERTO FREITAS

português Two Bodies, 2016 (wood and electronic circuit) in memory of Raquel Schembri Two apparently identical wooden cubes sit side by side on a base. Despite looking the same, one of them levitates. For some years I have been investigating ...

Conexiones Emergentes en Malta: Encuentros, Residencias e Intercambios | HERMAN BASHIRON MENDOLICCHIO

No cabe duda de que dentro de una programación cultural tan extensa y a largo plazo como la de una capital europea de la cultura, uno de los objetivos prioritarios es establecer mecanismos eficientes de encuentros e intercambios – tanto de ...

October 2016 | Artists, Español, Interviews

El Museo de Arte de Santa Catarina hoy: Entrevista con Mary Garcia | MARIA INÉS RIOS

português Mary Garcia Mary Elizabeth Benedet Garcia es Directora de Difusión Cultural de la Fundación Catarinense de Cultura y funcionaria del Centro Integrado de Cultura desde hace 28 años. Maria Inés Rios: ¿Cuál es el perfil del MASC? ...

October 2016 | Artists, Español, Interviews

Discurso infiltrado: Entrevista con Gabi Bresola | MANOELA SOUZA

português Gabi Bresola La entrevista transcrita aquí es fruto del diálogo entre la artista Gabriela Bresola y yo. Esta conversación tuvo lugar en casa de la artista el día 21 de mayo de 2016, con una grabación de 34 minutos y 72 segundos. ...

October 2016 | Artists, Español, Interviews

Un otro paisaje: Entrevista con Zulma Borges | CLÓVIS WERNER

português Zulma Borges en Taller Alvéolo. Foto: Bárbara Scheeffer Zulma Borges es Natural de Araranguá-SC. Graduada en Letras-Portugués/Español, Licenciatura (UFRGS, Porto Alegre-RS, 1972); Postgrado lato sensu en Historia del Arte, ...

October 2016 | Artists, Español, Interviews

Caminos del grabado: Entrevista con Sandra Fávero | ELENICE BERBIEGIER

português Sandra Fávero Sandra Correia Fávero (1957). Doctorado en Poéticas Visuales/ ECA/USP (2015). Maestría en Gestión de Diseño / Ingeniería de Producción e Sistemas da UFSC (2003). Bachillerato – Pintura/ EMBAP (1979). Profesora en ...

October 2016 | Artists, Español, Interviews

Equivocarse es fantástico: Entrevista con Juliana Hoffmann | MARIA FILOMENA DE OLIVEIRA

português Juliana Hoffmann Juliana Hoffmann nació en Concórdia en 1965 y actualmente vive en Florianópolis. Empezó a pintar en 1975 y, en 1979, se mudó a Brasilia. Volvió a Florianópolis en 1980, donde vive hasta hoy. En 1982 comenzó a ...

October 2016 | Artists, Español, Interviews

Carta marcada: Entrevista con Cheyenne Luge | JOANA BRUSTOLIN, CAROLINA KOESTER, VINÍCIUS LUGE y LUANA OLIVEIRA

português Cheyenne Luge   Cheyenne Luge (Cheyenne Luge Oliveira) es artista Visual, natural de Quaraí – RS. Actualmente vive en Florianópolis - SC. Graduada en Artes Visuales – Dibujo y Plástica en la Universidad Federal de Santa ...

October 2016 | Artists, Español, Interviews

Casa abierta: Entrevista con Lucila Vilela | CARMEN ZAGLUL

português Lucila Vilela. Quadro, 2011. Lucila Vilela es artista plástica e investigadora. Realizó el Proyecto CASA, de Artes Visuales y Performances, ganador del premio “Elisabete Anderle de estímulo a la cultura”, en Florianópolis/SC ...

Cuerpo, tiempo y movimiento: Entrevista con Diana Gilardenghi, Sandra Meyer, Paloma Bianchi y Milene Duenha|KAMILLA NUNES y LUCILA VILELA

português Concebido por Sandra Meyer, Milene Duenha, Paloma Bianchi y Diana Gilardenghi, el proyecto Cuerpo, tiempo y movimiento en seis acciones de danza investiga la relación entre cuerpo, memoria y ciudad, resultando en seis acciones de danza ...

October 2016 | Artists, Español, Interviews

Píldoras de ASP | FERNANDA DO CANTO, LUIZA POLITI BELLUOMINI, RAISA RAMONI ROSA E ROGÉRIO SATIL

português “Píldoras de ASP” tiene la intención de mostrar en pequeñas dosis un día de convivencia con el artista Carlos ASP. Es una inmersión en el mundo Aspiano, un momento en que el artista nos lleva a su pasado, [re]construyendo sus ...

October 2016 | Artists, Español, Interviews

Dibujar, pintar, fracasar: Adriana Maria dos Santos | GUILHERME ZORATO

português Conocí a Adriana siendo su alumno en el curso Dibujar, Pintar, Fracasar en el “O Sitio Arte Educación Coworking” en Florianópolis; mismo lugar donde fue realizada la entrevista, en mayo del 2016. Tenemos afinidades porque los ...

Dois corpos | ROBERTO FREITAS

english Dois corpos, 2016 (madeira e circuito eletrônico) para Raquel Schembri, em memória Dois cubos de madeira aparentemente iguais estão lado a lado sobre uma base. Apesar da semelhança, um deles levita. Faz alguns anos que venho ...

October 2016 | Artists, Interviews, Português

Casa aberta: Entrevista com Lucila Vilela | CARMEN ZAGLUL

español Lucila Vilela. Quadro, 2011 Lucila Vilela é artista plástica e pesquisadora. Realizou o Projeto CASA, de Artes Visuais e Performances, vencedor do prêmio “Edital Elisabete Anderle de estímulo à cultura”, em Florianópolis/SC ...

October 2016 | Artists, Interviews, Português

Carta marcada: Entrevista com Cheyenne Luge | JOANA BRUSTOLIN, CAROLINA KOESTER, VINÍCIUS LUGE e LUANA OLIVEIRA

español Cheyenne Luge Cheyenne Luge (Cheyenne Luge Oliveira) é artista visual, natural de Quaraí – RS, atualmente vive em Florianópolis - SC. Graduada em Artes Visuais – Desenho e Plástica pela Universidade Federal de Santa Maria. ...

October 2016 | Artists, Interviews, Português

Errar é muito bom: Entrevista com Juliana Hoffmann | MARIA FILOMENA DE OLIVEIRA

español Juliana Hoffmann Juliana Hoffmann nasceu em Concórdia em 1965 e atualmente vive em Florianópolis. Começou a pintar em 1975 e, em 1979, mudou-se para Brasília. Retornou pra Florianópolis em 1980, onde vive até hoje. Em 1982 começou ...

October 2016 | Artists, Interviews, Português

O Museu de Arte de Santa Catarina hoje: Entrevista com Mary Garcia | MARIA INÉS RIOS

español Mary Garcia Mary Elizabeth Benedet Garcia é Diretora de Difusão Cultural da Fundação Catarinense de Cultura e funcionária do Centro Integrado de Cultura há 28 anos. Maria Inés Rios: Qual o perfil do MASC? Qual é o direcionamento ...

October 2016 | Artists, Interviews, Português

Caminhos da gravura: Entrevista com Sandra Fávero | ELENICE BERBIGIER

español Sandra Fávero Sandra Correia Fávero (1957). Doutorado em Poéticas Visuais/ ECA/USP (2015). Mestrado em Gestão do Design/ Engenharia de Produção e Sistemas da UFSC (2003). Bacharelado – Pintura/ EMBAP (1979). Professora nos cursos ...

October 2016 | Cinema, Português

A liberdade em Boi Neon | LUCILA VILELA

español Boi Neon parece transpirar na tela. O filme dirigido por Gabriel Mascaro exala a proximidade entre corpo e animal. O convívio com bois e cavalos faz com que os personagens estejam sempre à espreita, lidando com momentos cotidianos, ...

October 2016 | Dance, Performance, Português

Percursos e perguntas para narrativas em dois corpos |IDA MARA FREIRE e RAQUEL PURPER

español Reflexões sobre a Ação 1: Narrativas em dois corpos o projeto, do projeto Corpo, tempo e movimento em seis ações de dança, concebido por Sandra Meyer, Milene Duenha, Paloma Bianchi e Diana Gilardenghi. Diana Gilardenghi ...

October 2016 | Artists, Interviews, Português

Discurso infiltrado: Entrevista com Gabi Bresola | MANOELA SOUZA

español Gabi Bresola A entrevista redigida aqui é fruto do diálogo entre eu, Manoela, e a artista Gabriela Bresola. Essa conversa aconteceu na casa dela no dia 21 de maio de 2016, com gravação de 34 minutos e 72 segundos. Os assuntos ...

October 2016 | Artists, Interviews, Português

Uma outra paisagem: Entrevista com Zulma Borges | CLÓVIS WERNER

español Zulma Borges em Ateliê Alvéolo. Foto: Bárbara Scheeffer Zulma Borges é natural de Araranguá-SC. Possui graduação em Letras-Português/Espanhol, Licenciatura (UFRGS, Porto Alegre-RS, 1972); Pós-Graduação lato sensu em História ...

Corpo, tempo e movimento: Entrevista com Diana Gilardenghi, Sandra Meyer, Paloma Bianchi e Milene Duenha|KAMILLA NUNES e LUCILA VILELA

 español Concebido por Sandra Meyer, Milene Duenha, Paloma Bianchi e Diana Gilardenghi o projeto Corpo, tempo e movimento em seis ações de dança investiga a relação entre corpo, memória e cidade, tendo como resultado seis diferentes ações ...

October 2016 | Português, Technology

Alteridade na experiência de mundo: Breve ensaio sobre realidade aumentada|ILDO FRANCISCO GOLFETTO e MARIA JOSÉ BALDESSAR

english A realidade aumentada (RA) tem sua origem na realidade virtual, em uma tentativa de simular a realidade e criar outras realidades de forma através da ilusão dos sentidos. Segundo Braga [1] A RA é uma interface híbrida composta pelo real ...

October 2016 | Artists, Interviews, Português

Pílulas de ASP | FERNANDA DO CANTO, LUIZA POLITI BELLUOMINI, RAISA RAMONI ROSA E ROGÉRIO SATIL

español “Pílulas de ASP” tem a intenção de mostrar em pequenas doses um dia de convívio com o artista Carlos ASP. É uma imersão no mundo Aspiano, um momento em que o artista nos leva ao seu passado [re]construindo suas ...

October 2016 | Artists, Interviews, Português

Desenhar, pintar, fracassar: Adriana Maria dos Santos | GUILHERME ZORATO

español Conheci a Adriana sendo seu aluno no curso Desenhar Pintar Fracassar no O Sítio Arte Educação Coworking, em Florianópolis, mesmo local onde foi realizada a entrevista, em maio de 2016. Tivemos afinidade por pesquisarmos assuntos ...

October 2016 | Interviews, Português

Entrevistas da Oficina de Curadoria (DAC-UFSC): Apresentação | KAMILLA NUNES

español Departamento Artístico Cultural da Universidade Federal de Santa Catarina As entrevistas apresentadas nesta edição da Revista Digital Interartive foram realizadas durante a Oficina de Curadoria, ministrada pela curadora Kamilla Nunes ...

Espacios híbridos y reescrituras urbanas El caso del MAAM – Museo dell’Altro e dell’Altrove di Metropoliz_città meticcia | CRISTINA GRECO, ELIA CORNELIO-MARÍ

   Italiano Introducción[1] En la zona periférica oriente de Roma, existe un experimento de regeneración urbana, donde el arte literalmente es la trinchera que protege a una comunidad formada por migrantes que han llegado a Italia ...

Spazi ibridi e riscritture urbane. Il caso MAAM – Museo dell’Altro e dell’Altrove di Metropoliz_città meticcia | CRISTINA GRECO, ELIA CORNELIO-MARÍ

Español Introduzione[1] Alla periferia est di Roma, esiste un esperimento di rigenerazione urbana, dove l’arte diventa letteralmente la trincea per una comunità composta da migranti giunti in Italia dal Perú, dall’Ecuador, ...

Editorial

Street Art and its languages | MODESTA DI PAOLA and MARCO MONDINO

Street Art is one of the artistic languages today increasingly present in the media and cultural debate. Born as an expression of a spontaneous intervention, Street Art has imposed itself as an artistic practice that takes a lot of forms, shapes, ...

When Street Art is Politics: The Case of the Italian Blu | MARIA DOMENICA ARCURI

When we talk about the phenomenon of street art we have to consider both its features and the urban space with which it interacts. Many of the street art interventions have some features typical of subculture, such as rebellion, reappropriation of ...

October 2016 | English, Politics, Street Art

STATE-SANCTIONED ICONOCLASM: A question and an answer concerning the damnatio memoriae of a radical gesture | LIA YOKA and ORESTIS PANGALOS

In this town, nobody seems to be afraid of graffiti. Many would call it “creative intervention” and might even see it as anticipating the true Commons, a space that transcends fake public/private divides. They count “street art” among ...

October 2016 | English, Interviews, Street Art

Purring session with M.CHAT | ALEX DE QUERZEN

français Hello. If in a previous interview, I’ve talked about my coulrophobia (ask Mimi the Clown for details), I need to admit I’m a cat person. In fact, I know two of them. Err, no, 4. Mmh maybe 8. Or more. So, just before the private view ...

Imaging a Transient History: Murals in the Lower East Side, NYC | DIPTI DESAI AND PRRIYANKA DASGUPTA

Walking to work each day is a visual experience, as one passes several larger than life murals painted on every other street, in the Lower East Side of New York City. This public gallery provides a glimpse into the history and transformation of this ...

Visual Public Service: al servicio de la comunidad | PEDRO DONOSO

All images by Jóse Délano La intención del colectivo de intervención urbana Visual Public Service, VPS, es hacer un llamado a la reflexión y comprensión de los problemas y situaciones de la población “no ...

Gentle Interventions. Street artist Hioshi’s fragile critique of Russian ways | IAROSLAV VOLOVOD

Public art is conventionally associated with formidable forms and colossal sizes. However, recent artistic practice occasionally testifies to quite the contrary. Working incognito under the cryptic pseudonym Hioshi, the Siberian-born post-graffiti ...

L.A. Streetwalkers: Female Artists Telling Stories on the Streets | ELIZABETH DASTIN

Since the beginning of the 20th century, artists have treated the streets as their canvas and political platform. For instance, in 1917 during the Russian Revolution, members of the Russian avant-garde relied on cutting edge posters to inspire, ...

October 2016 | English, Street Art

Proud? | MANOLIS ANASTASAKOS

Cologne / Germany / 2016 Aug Artwork title : " Proud? " Art Proposal : Manolis Anastasakos Mural team : Manolis Anastasakos Billy Gee Operation team - Colour Revolution John Iven Ron Volgt Barbara Deppner Milosz ...

Ludic Subterranea | CANDICE P. BOYD WITH PANDA

There is something unique about art making that takes place underground—in drain tunnels, bunkers, or abandoned crypts. Dark, cavernous spaces offer urban artists the freedom to experiment with forms of expression apart from, but not excluding, ...

Animistic Temples | ALEX SIMOPOULOS

Animistic temple 1, 2015 Animistic temple 4, 2015 Animistic temple 5, 2015 “The term animism is derived from the Latin word anima meaning breath or soul.Animism is the world­view that non­human entities (animals, plants, and ...

# Dirtynewmedia Street Art | DOMENICO BARRA

Stickers Berlin Brussels Brusseles Brusseles Napoli Berlin Chicago Chicago Chicago Working with digital media in the web scenario, digital artists have many things in common with street artist. A Facebook wall, a tweet, ...

Painting Finca Bonita | JOSÉ FAUSTO MOTA MATA

 Español Al empezar la pinta de mural Camión y mural de pájaros Camión Cancha de futbol Ciencia, Sero Colibrís Meraz, Revs y Ciencia One Mujer, venados, letras y pájaros Niños ayudando en la pinta Soker, Ciencia ...

Pintando Finca Bonita | JOSÉ FAUSTO MOTA MATA

English Al empezar la pinta de mural Camión y mural de pájaros Camión Cancha de futbol Ciencia, Sero Colibrís Meraz, Revs y Ciencia One Mujer, venados, letras y pájaros Niños ayudando en la pinta Soker, Ciencia ...

Séance ronron avec M.CHAT | ALEX DE QUERZEN

english Salut. Si dans une précédente interview, j'avais annoncé la couleur avec les clowns (demandez à Mimi), faut avouer que j'adore les chats. D'ailleurs j'en connais 2. Enfin non 4. Euh 8, euh non, plus… Bref, juste avant le ...

Why uncommissioned public art? | ORESTIS PANGALOS

Interview by MODESTA DI PAOLA Why public art?/ What is the “art” in public art?   Let us start with two of the most characteristic examples of public art, monuments and sculptures, in all sizes, from small statues to complex ...

If you have something to say, just say it | MANOLIS ANASTASAKOS

Interview by MODESTA DI PAOLA Some color for nature.   Why public art? Because public street art is the only art that can communicate with everyone without considering the history of art, or the education background of each ...

Proceso, Proyecto y riesgos inevitables | STUDIO ++

Entrevista con MODESTA DI PAOLA   Italiano Breathing as a revolutionary message, 2014.   ¿Por qué arte público? Cada uno decide el lugar más adecuado para situar su propio trabajo y esto funciona para el arte y los ...

Nuevos modelos de ciudadanía y la construcción del “común” | A.TITOLO

Entrevista con MODESTA DI PAOLA Italiano Villa Figulinas (2015-ongoing).   ¿Por qué arte público? Como hemos podido sostener en muchas ocasiones, creemos que la creación artística, en su gratuidad y en su ausencia de protocolos ...

Living is public | TEOBALDO LAGOS PRELLER

Interview by MODESTA DI PAOLA   Why public art? Because there is hardly a dimension of art which is not public. The Atelier is for sure a private place without which we couldn't imagine any creative process taking place. You need a ...

Public Art: We don’t need more monuments! Don’t we? | FABIO CIARAVELLA

 Italiano In Favara, a small town close to Agrigento, Sicily, a place deeply touched by north-african immigration and by the shipwreck tragedies, a Franciscan friar recently decided to transform one of the hope (and sometimes death) ships of the ...

Public Art: We don’t need more monuments! Don’t we? | FABIO CIARAVELLA

English  In Sicilia, a Favara in provincia d’Agrigento, un luogo profondamente toccato dal dramma dell’immigrazione dal nord-africa e dalle tragedie dei naufragi, un Frate Francescano ha deciso di far diventare uno dei barconi della speranza ...

Processo, progetto e rischi inevitabili | STUDIO ++

Intervista di MODESTA DI PAOLA Español   Terzo Giardino, 2012, 2013, 2016. Perché arte pubblica? Ognuno decide il luogo più adatto dove porre il proprio lavoro e questo è vero anche per l’arte e per gli artisti. Nel nostro caso ...

Surveillance Countermeasures: Expressive Privacy via Obfuscation | DANIEL C. HOWE

[T]o radically automate and to automate radically as a careful ethical and aesthetic gesture.[1]   The ubiquity of the web-browser as an interface to the web, and to digital content in general, has by now surpassed that of any other ...

“Punk. Its traces in contemporary art”. An interview with David G. Torres, curator of the exhibition | CHRISTINA GRAMMATIKOPOULOU

español Hans-Peter Feldmann '5 Pound Bill with Red Nose', 2012. Courtesy of Projecte SD, Barcelona. Source: MACBA.cat   Christina Grammatikopoulou: This year, considered as the 40th anniversary since the emergence of Punk, has been ...

Atis Rezistans: The Visual Rhetoric of Haitian Art and Haitian Trash | CHRISTOPHER GARLAND

I Between November 2009 and November 2015 the Grand Rue neighborhood in downtown Port-au-Prince, Haiti has played host to four Ghetto Biennales—a celebration and exhibition of art beyond the country’s well-renowned folk painting. In recent ...

June 2016 | English, Review

Review of A.O. Scott’s Better Living through Criticism: How to Think about Art, Literature, Beauty, and Truth | RANDY LAIST

In his 1981 film, History of the World, Part I, Mel Brooks depicts the birth of art: a cave man paints a portrait of a large mammal on a cave wall as a crowd of onlookers grunts in approval.  In Brooks’s movie, this epochal moment is followed ...

ORLAN // Narrating Ideas for the Future of “Self” | JAYNE BUTLER

  ORLAN // FEMINIST THEORY by ABSTRACT MEANS “Beauty is becoming less about luck and more about choice.”[1] Orlan, a female artist from France, exercised her right of choice, as well as control when she received nine consecutive ...

Kowloon, by LRM Locus: filming the underground | PAZ OLIVARES

español I was lucky to be guest on one of LRM Performance (aka Locus) open studio sessions in which they present their latest piece, "Kowloon" to press, historians or curators. It's a quite presonal experience, since their main creative aim is ...

A l’intérieur / Στο εσωτερικό | PHILIPPE LAFERRIERE

The exhibition of Philippe Laferrière "On the inside" aims to show the viewer a series of works that visually depict different aspects of the interior. The human form is involved, sometimes it is absent, but nevertheless we feel the traces of ...

“Punk. Sus rastros en el arte contemporáneo”. Entrevista con David G. Torres, comisario de la exposición | CHRISTINA GRAMMATIKOPOULOU

english Hans-Peter Feldmann '5 Pound Bill with Red Nose', 2012. Courtesy of Projecte SD, Barcelona. Source: MACBA.cat   Christina Grammatikopoulou: Este año, considerado como el 40 aniversario desde la aparición del punk, ha estado ...

Kowloon, de LRM Performance /Locus – rodaje de lo subterráneo | PAZ OLIVARES

english He tenido la suerte de haber sido invitada a uno de los open studio de LRM Performance (ó "Locus") en los que muestran su recién terminado trabajo "Kowloon" a prensa, historiadores o comisarios. Es una experiencia muy personal pues su ...

Speculations from the Field – Notes on Rohini Devasher’s Archaeologies of the Future: Chaos and Coincidence | SRINIVAS ADITYA MOPIDEVI

  Looking deeply is a question of scale: How close? How far? It may not matter; you might see the same thing. Laura Raicovich [1] .   Shivering Sands, Single channel video (still), 21’, 2016.  In a present where the effect of ...

Monumento al caminante. Sobre el jardín y el deseo de atravesar el paisaje | ISMAEL TEIRA

    Monumento al caminante es un proyecto de intervención conmemorativa en el espacio público del antiguo lecho del río Turia de Valencia, reconvertido en parque en 1986. En este jardín metropolitano existen una serie de caminos ...

Death from television broadcasting via Bullet data image | TAIDA KUSTURICA

In the past we watched Television, now They watch disappearance of us!   Death of 35mm but death in 35ms Disappearance of social body, together with the death of TV and 35 mm tape as analogue body document is witnessing today our brad new death ...

Mugwort, Wormwood, and how little we know about the end of the world | SHANE FINAN

On April 26, 1986 at 01:23 (EET), one of the largest and most devastating nuclear accidents in history took place in Chernobyl, northern Kiev Oblast, Ukraine (Socol 2015). The disaster involved an explosion and fire in an operating nuclear power ...

Infrastructures of the Digital: Critical Approaches from Art Practice (Part II) | MARISA GÓMEZ

Spanish Go to Part I As we have already mentioned, another main issue related to the material infrastructure of the digital deals with the submarine cables, which involve several political, social and economical factors. In 2010, Wikileaks ...

Call for papers and artworks: STREET ART AND ITS LANGUAGES | INTERARTIVE

  español italiano Deadline: September 20, 2016 Street art is a visual art language now increasingly present in urban spaces and also in the media and cultural debate. Founded as a spontaneous expression of intervention it has been able ...

May 2016 | Calls, English

Open Call | Blitz Residency 2017

Applications now open for 2017 Blitz Residency – deadline 31 August 2016. The Blitz residency programme provides the opportunity to live and work in Valletta and to develop individual projects while experiencing and engaging with city’s rich ...

Infraestructuras de lo Digital: Aproximaciones críticas desde la práctica artística (Parte II) | MARISA GÓMEZ

Inglés Ir a la Parte I Como hemos señalado, otro aspecto fundamental relacionado con la infraestructura material de lo digital son los cables submarinos, que implican múltiples factores políticos, sociales y económicos. En 2010, Wikileaks ...

May 2016 | Español, Literature

André Breton: soñador del mundo | LUCILA VILELA

“Cada poeta nos debe, pues, su invitación al viaje.” Gaston Bachelard. Gaston Bachelard, en su libro La poética de la ensoñación, nos habla del ser soñador y de la ensoñación actuante, de un ser soñador que prepara obras. A través ...

May 2016 | English, Performance

Monica Siedler and dance spectrality in “The Worst of Me”| JOSIMAR FERREIRA

português "The image withdraws as ghost or as a ghost of the Idea, destined to disappear in the very ideal presence. It withdraws so as image ‘of'’, as image of something or someone who would not, she or he, be an image. It fades itself as ...

Infrastructures of the Digital: Critical Approaches from Art Practice (Part I) | MARISA GÓMEZ

Spanish Go to Part II For decades, the discourses about ICTs have been dominated by the paradigms of virtualization and immateriality. Aimed to question those paradigms, the present text deals with the infrastructures of the digital, meaning the ...

Palabra clave: Comunidad. Sobre el actual desarrollo cultural en Malta | HERMAN BASHIRON MENDOLICCHIO

  La noción de comunidad ha sido ampliamente debatida y analizada en diferentes momentos y en diferentes contextos y campos. Entre estos últimos, se encuentran: los estudios museísticos, con el importante objetivo de explorar el papel ...

May 2016 | English, Politics

“The rebel woman”: Τhe early years of Greek Feminism | CHRISTINA GRAMMATIKOPOULOU

ελληνικά "She was no longer the calm maid, sweet in nature, with a somehow absent minded expression. She was the rebel woman, the one who would not cede to others the right to define her future and life according to social requirements and ...

«Η επαναστάτις γυνή»: Οι αρχές του φεμινιστικού κινήματος στην Ελλάδα | ΧΡΙΣΤΙΝΑ ΓΡΑΜΜΑΤΙΚΟΠΟΥΛΟΥ

english «Δεν ήτο πλέον η ήρεμος κόρη με την γλυκείαν μορφήν, με την αφηρημένην ολίγον έκφρασιν. Ήτο η επαναστάτις γυνή, η μη αναγνωρίζουσα ...

Infraestructuras de lo Digital: Aproximaciones críticas desde la práctica artística (Parte I) | MARISA GÓMEZ

Inglés Ir a la Parte II Durante décadas, los discursos sobre las TIC han estado dominadas por los paradigmas de la virtualización y la inmaterialidad. Proponiéndose cuestionar estos paradigmas, el presente texto gira en torno a las ...

Monica Siedler e a espectralidade da dança em “O Pior de Mim” | JOSIMAR FERREIRA

english “A imagem retira-se enquanto fantasma ou fantasma da Ideia, destinada a desaparecer na própria presença ideal. Ela se retira assim enquanto imagem ‘de’, imagem de alguma coisa ou de alguém que não seria, ela ou ele, uma imagem. ...

March 2016 | Artists, Cinema, Circus, Español

Desvío: Taoub (Grupo Acrobático de Tanger) | LUCILA VILELA

  Taoub significa tejido, en árabe[1]. No es casualidad que el nombre del espectáculo del Grupo Acrobático de Tanger haga referencia al tejido, una vez que los 12 acróbatas a través de sus movimientos crean una especie de tejido humano. ...

Patricia Osses: traces of an (un)mounted landscape | JOSIMAR FERREIRA

português The fragility of the sight, which allows considering as existent the visible and the invisible, Didi-Huberman identifies the vision mode. Precisely, the two forms that this human activity takes; the separation between two states that ...

La obra desaparece, la imagen queda. El Hacking de Blu en Bolonia | MARCO MONDINO

El hecho es conocido y el gesto perturbador: Blu, uno de los más famosos artistas del street art italiano en el mundo, ha borrado todas sus obras presentes en Bolonia como acto de rebelión frente a la exposición “Street art Banksy & Co. ...

Ignasi Aballí, sin principio/sin final en VI ACTOS | GEMMA AGUILAR

Ignasi Aballí, sin principio/sin final MNCARS 28 octubre 2015 - 14 marzo 2016 La palabra debe ser sistemáticamente manipulada, forzada, con objeto de hacerle expresar su auténtica significación, ajena al significado común y admitido. ...

Patricia Osses: vestígios de uma paisagem (des)montada | JOSIMAR FERREIRA

english Da fragilidade da faculdade de olhar, que permite considerar como existentes o visível e o invisível, Didi-Huberman identifica a modalidade da visão. Precisamente, as duas formas que essa atividade humana assume; a separação entre ...

(My) Neighborhood: An urban interventionist practice | TUBA DOGU & MELIS VARKAL DELIGOZ

. UrbanTank Intervention: “(My) Neighborhood . Through a discussion of “(My) Neighborhood”, an ongoing public project conveyed by UrbanTank, this article disseminates how urban praxis intervenes in public spaces, how civic engagement and ...

February 2016 | English, Philosophy

Working Barthes | JOSSELINE BLACK

In a concerted effort to understand and connect to the theory, thrust, and conceptual mapping of Roland Barthes, it is necessary for the purpose of this essay to use examples, objects which can reveal through analysis the spectrum and ...

Theatre minus representation: Breath, body and emotion in Antonin Artaud | CHRISTINA GRAMMATIKOPOULOU

The theatrical tradition of India and the myths about the birth of theatre from ritual constitute an integral part in the thought of Antonin Artaud, who focused on the actor’s body and breath, aiming to renew the theatrical language of the ...

Perspectivas sobre el Arte en la Red en Bolivia | ROSANA MORATO

. Day 66 (1994) de Jodi.org, referentes del Net.Art a nivel internacional . ¿Existe una práctica representativa de Net.art en Bolivia? Cuando me planteé la pregunta, no recordé ningún artista boliviano que se dedique explícitamente a ello. ...

La formación del artista trágico: Hélio Oiticica y la escritura como “medio del camino de la vida”| CAROLINA VOTTO

[1] português Helio Oiticica Cuando pensamos la formación de un artista o la idea de formación en su sentido amplio, solemos tener en cuenta el recorrido que lleva a un individuo a desarrollarse en su manantial de descubrimientos, elecciones y ...